There’s not much Nick Mele can’t do behind the lens of his camera. Through it the world gets more interesting. Bolder. More colorful. (Even, somehow, when shot in black and white.) On the other side of the lens, the famed lifestyle photographer also showcases his talent, vividly displayed here as the camera turns to capture him in Newport, Rhode Island. Take a look inside Nick Mele’s Newport, which often includes visits to The Vanderbilt, Auberge Resorts Collection.
That won’t be a surprise to the thousands who follow his @a.social.life Instagram account, which frequently sees him turning the camera on himself and his family in ornate, audacious, luxurious, extravagant settings. (“More is more and less is a bore,” is his oft-stated motto.) But in this photo essay, one that includes photos of and by Mele, we hope readers get a sense of just how well he knows every aspect of his craft—what makes a great photo, whether he’s the one pointing the camera or grinning in its direction
Nick Mele on the steps of The Vanderbilt in his beloved Newport, Rhode Island. From this vantage point he can see the home of his in-laws, who live a stone’s throw away.
With the latter, he can change the mood of what’s in frame by simply raising his brow, opening his eyes widely to show their whites, or tilting his body ever so slightly. His expressive face is a broad canvas.
Newport is where Mele summered as a child (and still now, as a grown man, husband and father of two), where his mother and in-laws still live and where he visits very often. He understands the vibrant seaside town like he understands his camera’s aperture. “They filmed the original ‘Gatsby’ here, the one with Robert Redford,” he’ll toss off casually while pulling up to Rosecliff, a Gilded Age mansion on the edge of town, just down the road from the churning waters of the Atlantic and his childhood summer home.
In his book of photos about this magical place, A Newport Summer, he captures images of the season in which it comes most alive, breaking it down month to month—the parties, the clambakes, the sunshine, the revelry, the joy and, as always, the color.